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Einzelausstellungen
1979 "A Movie Will Be Shown Without the Picture,"
Aero Theater, Santa Monica; sponsored by the Foundation for Art Resources
1981 "Jancar/Kuhlenschmidt," Jancar/Kuhlenschmidt
Gallery, Los Angeles
1982 "Another Gallery," Anna Leonowens Gallery
II, Halifax, Nova Scotia
"An Arrangement of Pictures," Metro Pictures, New York
1984 "Home/Museum - Arranged for Living and Viewing,"
Matrix, The Wadsworth
Atheneum, Hartford, Connecticut
1985 "Interesting," Nature Morte, New York
1986 "What is the Same," Maison de la Culture
et de la Communication de Saint-Etienne, France
1987 "It Remains To Be Seen," Metro Pictures,
New York
"The Big Top Is Up," Kuhlenschmidt/Simon, Los Angeles
"Enough," Projects: Louise Lawler, The Museum of Modern Art,
New York
"As Serious As A Circus," Isabella Kacprzak, Stuttgart, Germany
"Projects: Louise Lawler," The Museum of Modern Art, NY
1988 "Vous Avez Déjà Vu Ça," Galerie Yvon
Lambert, Paris
"Les Objets," Galerie Meert Rihoux, Brussels
1989 "How Many Pictures," Metro Pictures,
New York
"The Show Isn't Over," Photographic Resource Center, Boston
1990 "A Vendre," Galerie Yvon Lambert, Paris
"The Enlargement of Attention, No One Between the Ages of 21 and
35 is
Allowed," Connections: Louise Lawler, Museum of Fine Arts, Boston
1991 "For Sale," Metro Pictures, New York
Galerie Meert-Rihoux, Brussels
1992 Galerie Isabella Kacprzak, Cologne
1993 Sprengel Museum, Hannover
1994 Centre d'Art Contemporain, Geneva
"External Stimulation," Galleria Klemens Gasser, Bolzano,
Italy; Monika
Sprüth Galerie, Germany
Studio Guenzani, Milan
Metro Pictures, New York
1995 "A Spot on the Wall," Munich Kunstverein,
Germany
1996 "It Could Be Elvis and Other Pictures,"
Galerie Six Friedrich, Munich
S.L Simpson Gallery, Toronto
1997 "Paint, Walls, Pictures: Something Always
Follows Something Else. She
Wasn't Always a Statue," Metro Pictures, New York
"Monochrome," Hirshhorn Museum and Sculpture Garden, Washington
D.C.
1998 "Pictures That May or May Not Go Together,"
Gallery Larsen, Stockholm
1999 "'Hand On Her Back' and Other Pictures,"
Monika Sprüth Galerie, Köln
"The Tremaine Series,1984", Skarstedt Fine Art, New York
"Louise Lawler," Jürgen Becker, Hamburg
2000 "More Pictures," Metro Pictures, New
York
Gruppenausstellungen (Auswahl)
1978 "____, Louise Lawler, Adrian Piper &
Cindy Sherman Have Agreed to Participate in an Exhibition Organized
by Janelle Reiring at Artists Space, September 23 through October 28,
1978," Artists Space, New York
One Hundred Dollar Gallery, New York
1979 "Individual and Collaborative Works by Nine
Artists," 616 South Broadway,
Los Angeles; sponsored by Some Serious Business
1980 "Amalgam," Castelli Graphics, New York
1981 "Photo," Metro Pictures, New York
"Extended Photography," Secessionist Museum, Vienna
1982 "Public Vision," White Columns, New
York
1983 "Borrowed Time," Baskerville & Watson
Gallery, New York
"Multiple Choice," P.S. I, New York
"Drawings/Photographs," Leo Castelli, New York
1984 "Masking/Unmasking: Aspects of Post-Modernist
Photography," The Friends of Photography, Carmel, California
"Re-place-ment," Hallwalls, Buffalo, New York
"Contemporary Perspectives, 1984," Center Gallery, Bucknell
University, Lewisberg, Pennsylvania. Exhibit travels to Wilkes College,
Wilkes-Barre, Pennsylvania
"Ideal Settings," Diane Brown Gallery, New York (two-person
exhibition with Alan McCollum)
"Natural Genre," Fine Arts Gallery, Florida State University,
Tallahassee "New York, Ailleurs et Autrement," ARC Musee d'Art
Moderne de la Ville de Paris
1985 "The Anticipated Ruin," The Kitchen,
New York
"The Art of Memory/The Loss of History," The New Museum of
Contemporary Art, New York
"New York Now: Correspondences," Laforet Museum, Tokyo. Exhibit
traveled to (1986) Tochigi Prefectural Museum of Fine Arts, Tochigi;
Tazaki Hall Espace Media, Kobe
1986 "The Real Big Picture," Queens Museum,
New York
"Damaged Goods," The New Museum of Contemporary Art, New York
"'Rooted Rhetoric,' Una Tradizone Nell'Arte Americana," Pallazzina
Centrale, Castel dell'Ovo, Naples
"l'oeuvre et son accrochage," Musee national d'art moderne,
Centre Georges Pompidou, Paris
"Art and Its Double: A New York Perspective, " Fundacio Caixa
de Pensions, Barcelona. Exhibition traveled to La Caixa de Pensions,
Madrid
1987 Maison de la Culture et de la Communication de
Saint-Etienne, France, (two-person exhibition with John Knight)
"This Is Not a Photograph: Twenty Years of Large-Scale Photography
1966-1986," The John and Mable Ringling Museum of Art, Sarasota,
Florida. Exhibit traveled to Akron Art Museum, Akron, OH; The Chrysler
Museum, Norfolk,VA
"Photography and Art: Interactions Since 1946," Los Angeles
County Museum of Art. Exhibit traveled to Museum of Art Fort Lauderdale,
FL; Queens Museum, Flushing, NY
"Art and the Dialectic Process," Everhart Museum, Scranton,
Pennsylvania
"Eau de Cologne," Monika Sprüth Galerie, Cologne
"Implosion: A Postmodern Perspective," Moderna Museet, Stockholm
"Quatriemes Ateliers Internationeaux de Pays de la Loire 1987,"
Abbaye Royale de Fontevraud, France
"L'objet de la Peinture," Ecole Superior d'art Visuel, Geneva
1988 "Investigations 1988," Institute of
Contemporary Art, University of Pennsylvania, Philadelphia
"Five Installations," Museum of Contemporary Art, Los Angeles,
"Presi Per Incantamento," Padiglione d'Arte Contemporanea
di Milano, Milan
Le Consortium, Dijon (two-person exhibition with Allan McCollum)
1989 "Photography of Invention: American Pictures
of the 1980's," National Museum of American Art, Smithsonian Institute,
Washington DC
"A Forest of Signs: Art in the Crisis of Representation,"
The Museum of
Contemporary Art, Los Angeles
"Tenir L'image a distance," Musee d'Art Contemporain de Montreal,
Montreal
"Wittgenstein," Wiener Secession, Vienna
"Confronting the Uncomfortable: Questioning Truth and Power,"
Yale University Art Gallery, New Haven
"In Other Words," Museum am Ostwall, Dortmund
"Moscow - Vienna - New York," The Vienna Festival, Vienna
1990 "The Decade Show," The New Museum of
Contemporary Art, New York
"Affinities and Institutions: The Gerald S. Elliot Collection of
Contemporary Art," The Art Institute of Chicago
"Word as Image," Contemporary Arts Museum, Houston
1991Biennial Exhibition, Whitney Museum of American Art, New York
"Anni Novanta," Galeria Communale d'Arte Contemporanea, Bologne
"Devil on the Stairs: Looking Back on the 80s," Institute
of Contemporary Art, Philadelphia; Newport Harbor Art Museum, Newport
Beach, California
Carnegie International, Carnegie Museum of Art, Pittsburgh, Pennsylvania
"No Laughing Matter," Independent Curators Incorporated (traveling
exhibition)
1992 "Quotations. The Second History of Art,"
The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut
"Knowledge: Aspects of Contemporary Art," University Art Museum,
Santa
Barbara, CA; North Carolina Museum of Art, Raleigh, North Carolina
"Yvon Lambert Collectionne," Musée d'Art Moderne, Villeneuve
d'Ascq, France
Selected Works From the Early Eighties, K-Raum Daxer, Munich
"American Art of the 80's," Museo d'Arte Moderna e Contemporanea
di Trento, Italy
"Informationsdienst," Kunstlerhaus Stuttgart
1993 "Louise Lawler, Cindy Sherman, Laurie Simmons,"
Kunsternes Hus, Oslo
"The Image of the Exhibition," Hochschule für Angewandte Kunst,
Vienna
"The Nightshade Family," Museum Fridericianum, Kassel, Germany
"The Language of Art," Kunsthalle Wien, Vienna
"Kontext Kunst," Neue Galerie am Landesmuseum Joanneum, Graz
"Network," Kunsternes Hus, Oslo
1994 "Radical Scavenger(s): The Conceptual Vernacular
in Recent American Art," Museum of Contemporary Art, Chicago
"Die Orte der Kunst," Sprengel Museum, Hannover
"The Century of the Multiple: From Duchamp to the Present,"
Deichtorhallen, Hamburg
"4 x 1 im Albertinum," Gemaldegalerie Neue Meister, Staatliche
Kunstammlungen Dresden
"Temporary Translation(s): Sammlung Schurmann," Deichtorhallen
Hamburg
1995 "The End(s) of the Museum," Fundacio
Antoni Tapies, Barcelona
"Passions Privees," Musée d'Art Moderne de la Ville de Paris
1996 "Cultural Economies: Histories from the Alternative,"
The Drawing Center, New York
"Fractured Fairy Tales: Art in the Age of Categorical Disintegration,"
Duke University Museum of Art," Durham, North Carolina
"Fixed Intervals" (two-person exhibition with Allan McCollum),
John Weber Gallery, New York
"Art at Home: Ideal Standard Life," Spiral Garden, Tokyo
"Comme Un Oiseau," la Fondation Cartier pour l'art Contemporain,
Paris
"Architecture, Art, and Planning Department Centennial," Herbert
F. Johnson Museum of Art, Cornell University, Ithaca, New York
10th Biennale of Sydney, Art Gallery of New South Wales, Artspace, and
Ivan Dougherty Gallery
1997 "Collected," The Photographer's Gallery,
London
"Foto Text Text Foto," Fotomuseum Winterthur, Germany
"Deep Storage/Arsenale der Erinnerung," Haus der Kunst, Munich
Nationalgalerie SMPK, Berlin, Germany; Kunstmuseum Düsseldorf im Ehrenhof,
Germany; Henry Art Gallery, Seattle
"Moving Images," Galerie für Zeitgenössische Kunst, Leipzig
1998 "dijon/le consortium.coll tout centre l'artcontemporain,"
Centre Georges Pompidou, Paris
"Emotion," Deichtorhallen, Hamburg,
1999 "Das Versprechen der Fotografie", Kestner
Gesellschaft, Hannover
"The Museum as Muse", Museum of Modern Art, New York; Museum
of Contemporary Art, San Diego
"Shelf Life," Center for Curatorial Studies, Bard College,
Annandale-on-Hudson
"Moving Images," Galerie für Zeitgenössische Kunst, Leipzig
"Story," AC Project Room, New York
"Triennale Exhibition: Sentiment of the Year 2000," Triennale
di Milano, Milano
2000 "Frames of Reference," Ezra and Cecile
Zilkha Gallery, Middletown, Connecticut
"rot grau," (red grey) Kunsthalle Basel, Basel
"ein|räumen", Hamburger Kunsthalle, Hamburg
Bibliographie (Auswahl)
1978 April Kingsley, "Art Goes Underground,"
Village Voice, October 16
1979 Ernst Busche, Das Kunstwerk I, February, pp. 38-39
1982 Andy Grundberg, Critics' Choices: Photography,"
New York Times, December 12
Benjamin Buchloh, "Allegorical Procedures: Appropriation and Montage
in
Contemporary Art," Artforum, September, pp. 48-49
Roberta Smith, "Didacticism, Material and Immaterial," Village
Voice, December 21, p. 113
Guy Bellavance, "Dessaisissement et Reappropriation: du 'photographique'
dans
l'art americaine," Parachute, December/February 1982/83, pp. 9-17
1983 Stephen F. Eisenman, "Louise Lawler,"
Arts Magazine, January, p. 41
Therese Lichtenstein, "Louise Lawler," Arts Magazine, February,
p. 5
Kate Linker, "Borrowed Time," Artforum, May, p. 100
Claude Gintz, "A Pierre et Marie," Cover, Spring, p. 6
1984 Louise Lawler, "Arrangements of Pictures,"
October 26, pp. 3-6
Bernard Hanson, "Artist Takes Shots at Museums, Collectors,"
Hartford Courant, March 4
Louise Lawler Matrix 77, Wadsworth Atheneum, Hartford, Connecticut (brochure)
Kate Linker, "Eluding Definition," Artforum, December, p.
66
Therese Lichtenstein, "Louise Lawler/Alan McCollum," Arts,
December, p. 34
Dan Cameron, "Four Installations: Francesc Torres, Merle Ukeles,
Louise
Lawler/Alan McCollum and Todt," Arts Magazine, December, pp. 66-70
1985 Claude Gintz, Elsewhere and Otherwise, ARC Musee
d'Art Moderne de la ville de Paris (brochure)
Jeanne Silverthorne, "Louise Lawler, Metro Pictures," Artforum,
April, p. 89
Andrea Fraser, "In and Out of Place," Art in America, June,
pp. 122-129
Gary Indiana, "Memories Are Made of This," Village Voice,
December 10, p. 93
1986 Kate Linker, "Rites of Exchange," Artforum,
November, pp 99-100 and "project" p. 101
Art and Its Double: A New York Perspective , essay by Dan Cameron, Fundacio
Caixa de Pensions, Barcelona (catalogue)
Kim Levin, "Louise Lawler," The Village Voice, February 3,
p. 68
John Russell, "Louise Lawler," The New York Times, 30 January,
p. C22
1987 "Louise Lawler des lieux ou des oeuvres
d'art ont ete installees," ArtPress, Paris, No 113, pp. 18-19
Jan Avgikos, "Louise Lawler, Metro Pictures," C Magazine,
Toronto, Summer, pp. 69-70
Jack Bankowsky, "Spotlight: Louise Lawler," Flash Art, April,
p. 86
Cora Rosevear, "Projects: Louise Lawler", The Museum of Modern
Art, New York (brochure)
Jean Fisher, "Louise Lawler," Artforum, April, pp 121-122
Implosion: A Postmodern Perspective, essays by Lars Nittve, Germano
Celant, Kate Linker, Craig Owens, Moderna Museet, Stockholm (catalogue)
"Louise Lawler," Paper, October 87, p. 45
Johannes Meinhardt, "Louise Lawler: As Serious as a Circus,"
Kunstforum, October/November
1988 Mark Woodruff, "Louise Lawler, Museum of
Modern Art," New Art Examiner, January, p. 61
Claudia Hart, "Louise Lawler, Museum of Modern Art," Artscribe,
London,
January/February, p. 70-71
Patrick Javauet, "Knight, Lawler: les lecons d'une confrontation
Maison de la Culture et de la Communication," ArtPress, Paris,
January, pp. 70-71
Alfred Durante, "Louise Lawler," Arts Magazine, April, p.
93
"Louise Lawler, Project for Flash Art," Flash Art, November/December
1988 pp. 93-94
1989 A Forest of Signs: Art in the Crisis of Representation,
essays by Ann Goldstein and Howard Singerman, The Museum of Contemporary
Art, Los Angeles, Published by the MIT Press, Cambridge, MA (catalogue)
Joshua Decter, "Louise Lawler," Flash Art, October, pp. 127-128
Ken Johnson, "Louise Lawler at Metro Pictures," Art in America,
November, p. 191
"Louise Lawler" Kunstforum, November/December
Robert Storr, "Louise Lawler: Unpacking the White Cube," Parkett.
No 22, pp. 105-8
1990 What is the Same: Louise Lawler, essay by Claude
Gintz, Maison de la Culture et de la Communication de Saint-Etienne
(catalogue)
Fred Fehlau, "Louise Lawler Doesn't Take Pictures," Artscribe,
May, pp. 62-65 (cover illustration)
To Be and Not to Be, Centre d'Art Santa Monica, Barcelona. Essays by
Dan
Cameron, Jose Carlos Catano, Regis Durand and Chantal Grande. (catalogue)
Peter Barr, "Deconstructing. Louise Lawler at the MFA," Art
New England, December 1990/January 1991
1991 Jean-Pierre Criqui, "Louise Lawler. Critique
d'art," Art Press, Jan., pp.42-46
Roberta Smith, "Art in Review: Louise Lawler," New York Times,
May 31, p. C26
Johannes Meinhardt, "The Places of Art-The Photography of Louise
Lawler,"
Hugo-Erfurth-Preis, Museus Morsbroch, Levarkusen, pp. 26-29
1992 Maria Schneider, "Louise Lawler," Metropolis,
February 1992
Johannes Meinhardt, "Erhellung der Situation. Louise Lawler Situierungen
und Fotographien von Situierungen," Kunstbulletin, No. 2 1992
1993 "October Portfolio One," October, Fall
(illustration)
Berta Sichel, "Louise Lawler," Poliester, Fall, Vol II, No
7, pp. 32-34 (illustration)
Louise Lawler, Cindy Sherman, Laurie Simmons, edited by Asmund Thorkildsen,
Kunstnernes, Oslo (catalogue)
1994 Ingrid Periz, "Louise Lawler", Art +
Text, vol. 49, p. 82
Martha Buskirk, "Interviews with Sherrie Levine, Louise Lawler,
and Fred Wilson," October, vol. 70, pp. 104-108
Abigail Solomon-Godeau, "'The Label Show'": Contemporary Art
and the Museum,"
Art in America, October, pp. 51-55
Tory Dent, "Alreadymade 'Female' Louise Lawler," Parachute,
No.76, Oct/Nov/ Dec, pp. 20-24
Peter Doroshenko, "A Part of the Picture," Grand Street, Winter,
Vol. 13, No. 3, pp. 225-233
Louise Lawler, For Sale, essays by Dietmar Elger, Thomas Weski, Reihe
Cantz, Leipzig
1995 Manfred Hermes, "Louise Lawler-Monika Spruth,"
Flash Art, March-April, Vol. 28, No. 181, p. 108
The End(s) of the Museum, Fundacio Antoni Tapies, Barcelona (catalogue)
1996 Rosalind Krauss, "Louise Lawler: Souvenir
Memories," Aperture, #145, pp. 36-39, (cover)
Jurassic Technologies Revenant, (catalogue for 10th Biennale of Sydney)
1997 Rose Lee Goldberg, "Louise Lawler's Art Lessons,"
Mirabella, February, p.20 Martha Schwendener, "Louise Lawler,"
Time Out New York, March 6-13, p. 44
Helen Molesworth, "Louise Lawler: Metro Pictures, New York,"
Frieze, May, pp. 73-74
Alexander Alberro, "Louise Lawler: Metro Pictures," Artforum,
Summer, 1997, pp. 135-136
George Baker, "Paint, Walls, Pictures: Something Always Follows
Something Else. She Wasn't Always a Statue," Texte zur Kunst, #26,
pp. 88-93
Loiuse Lawler, Monochrome, essay by Phyllis Rosenzweig, the Hirschorn
Museum and Sculpture Garden, Washington D.C.
1998 Emotion, essays by Daniel Birnbaum, Carl Freedamn,
Iwona Blazwick Deichtorhallen, Hamburg, (catalogue)
A Spot on the Wall, edited by Hedwig Saxenhuber, essays by Rosalind
Krauss, Helmut Draxler, Claudia Jottes, Oktagon, Cologne (catalogue)
1999 Rob Perrée, "Louise Lawler stelt helt tentoonstellen
ter discussie," Kunstbeeld, March, pp. 38-41
Roberta Smith, "Louise Lawler: Skarstedt Fine Art," The New
York Times, April 23, p. E35
Art at the Turn of the Millennium, ed. by Burkhard Riemschneider &
Uta Grosenick, Taschen, pp. 302-305
Frazer Ward, "Critical Mass," Frieze, Summer, pp. 57-56
The Museum As Muse, intro by Kynaston McShine, Museum of Modern Art,
New York, pp.142-143 (catalogue)
Andrea Kroksnes, "Louise Lawler: Specters of Modernism," Parkett,
no. 57, pp. 156-161
Helen Molesworth, "Louise Lawler at Skarstedt Fine Arts,"
Documents, pp. 59-62
2000 Vince Aletti, "ShortList: Louise Lawler,"
The Village Voice, Feb.15, p. 79
David Pagel, "Beauty, Through the Eye of Its Beholder," Los
Angeles Times, February 18, p. 34
Margaret Sundell, "Louise Lawler; Metro Pictures," Artforum,
April, pp. 140-1
Künstlerbücher und Drucke
1972 Untitled, publication in collaboration with
Joanne Caring, The Roseprint Detective Club: New York
1978 Untitled, Red/Blue, book, New York
Untitled, Black/White, book with text by Janelle Reiring, New York
Artists Space Logo, cover design as catalogue contribution; poster presentation
without additional information, New York
1981 Passage to the North, a structure by Lawrence
Weiner and photographs by Louise Lawler, Tongue Press, New York
Swan Lake, invitation card, New York
Real Life Magazine, cover, Autumn, New York
Flue, design and centerfold project in collaboration with Barbara Kruger
and Sherrie Levine, Franklin Furnace, New York
1982 A PICTURE IS NO SUBSTITUTE FOR ANYTHING,
invitation cards, a collaborative work by Louise Lawler and Sherrie
Levine (1981/82)
Louise Lawler, Arrangements of Pictures, matchbooks, Metro Pictures,
New York
De Appel, back cover, no 1, Amsterdam
"A Picture Is No Substitute For Anything," Wedge, no 2, fall,
pp. 58-67
Documenta 7: A Story, stationary and envelopes
1983 A MOVIE WILL BE SHOWN WITHOUT THE PICTURE, poster,
Franklin Furnace and Lawrence Weiner, New York
Art and Auction, cover, February
Effects, no 1, summer, p. 18
"An Arrangement of Pictures," October, no. 26, Fall, pp. 3-16
Borrowed Time, matchbooks, Baskerville & Watson Gallery, New York
Leo Castelli Gallery, gift certificates, Leo Castelli Gallery, New York
A Pierre et Marie, calendar/information card, Paris
Conventional Art, matchbooks, Baskerville & Watson Gallery, New
York
1984 New Observations, collaboration with Allan McCollum,
p. 8
Tellus, side A cut 1 (audio tape) and p. 5, 6
Art After Modernism: Rethinking Representation, selection and arrangement
of photos in collaboration with Brian Wallis, The New Museum of Contemporary
Art, New York, and David R. Godine, Boston
1985 Interesting, logo/exhibition card and press release,
Nature Morte Gallery, New York
Talking Back to the Media, Amsterdam, Talking Back to the Media Foundation,
p. 22
1986 Printed Matter 10th Anniversary Catalog, cover
photo, Printed Matter, New York (1986/1987)
"Project," Artforum, November, p. 101
"Arranged for Living," File Magazine, Toronto, December 25,
#26, pp. 36-47, (and back cover)
1987 It Remains To Be Seen..., calendar exhibition
card, Metro Pictures, New York
"Des lieux ou des oeuvres d'art ont ete installees," Art Press,
no. 113, pp. 18-19
Parachute, cover, no. 46, March/April/May
De Appel, Amsterdam, no. 2, p. 27, and (cover, back cover)
Margo Leavin Gallery Gift Certificates, Margo Leavin Gallery, Los Angeles
A MOVIE WILL BE SHOWN WITHOUT THE PICTURE, Picture This, films chosen
by artists and poster, Hallwalls, Buffalo/New York, pp. 63-69
As Serious As a Circus, , Isabella Kacprzak Gallery, Stuttgart (announcement/mileage
chart)
Le Roi est Nu!, The Emperor's New Clothes, t-shirt, Fonds Regional d'Art
Contemporain, Abbaye Royale de Fontevraud
Enough/Projects Louise Lawler, pamphlet and flyer, The Museum of Modern
Art, New York
1988 Inserts, project by Group Material, advertising
supplement to The New York Times, May 5
"Project For Flash Art," Flash Art, November/December, pp.
93-94
It is something like putting words in your mouth, exhibition card, Institute
of Contemporary Art, Philadelphia
1989 How Many Pictures, decal exhibition card, Metro
Pictures, New York
1990 Recognition Maybe, May not be Useful, a cover
for Artscribe, May
1991 This Takes the Cake, Squid In Its Own Ink, The
Cheese Stands Alone,
matchbooks, Carnegie International, Carnegie Museum of Art, Pittsburgh,
PA
1993 On the Museum's Ruins, a publication by Douglas
Crimp with photographs by Louise Lawler. Cambridge: MIT Press
1994 Grand Street, vol. 13 no. 3, Winter, cover and
pp. 225-232
Louise Lawler, For Sale, essay by Dietmar Elger, Thomas Weski, Reihe
Cantz, Leipzig
1995 Portrait, Matchbooks, Gramercy Park Festival,
Gramercy Park Hotel, New York
Museumssammlungen
Allen Memorial Art Museum
Art Museum, Princeton University
Centre Georges Pompidou, Paris
Cincinnati Art Museum, Ohio
Fondation Cartier, Paris
Israel Museum, Tel Aviv
Hamburger Kunsthalle
Los Angeles County Museum of Art
Moderna Museet, Stockholm
Museum Boymans-van Beuningen Rotterdam
Museum of Fine Arts, Boston
Museum van Hedendaagse Kunst, Ghent
Queens Museum, New York
Seattle Art Museum
Sprengel Museum, Hannover
Staatsgalerie, Stuttgart
Wadsworth , Hartford, Connecticut
Walker Art Center, Minneapolis
Whitney Museum of American Art
Yale University Art Gallery, New Haven
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